Sunday, July 24, 2011

Geek Chic

We live in a post-Revenge of the Nerds era.  As the phenomenal success of certain famous (or infamous), ex-college dropout, computer whiz CEOs (not to mention every friend of yours from high school who taught himself to code in his basement and is now making more money than you) has shown, geekdom is no longer--if it ever really was--the province of a handful or outsiders (how many people are at ComicCon this weekend, again?). The myth that those who read fantasy, watch sci-fi movies, play video games, and pwn computers are doomed to scuffle on the the sidelines of life, reveling with a sort of abashed arrogance in their intelligence and sense of difference, needs to be finally put to rest. The Nerds have taken their Revenge already, and emerged into the light.
I don't think that this is a very controversial statement, and I am not writing this post to advocate any great increase in nerd pride (its out there, and I, for one, already have it).  Instead, want to make the point that in this era of nerd dominance (if I may be permitted the term), we need to acknowledge a change in image.
Let me put it simply: being a nerd (or a geek, or a dork), is not the same as not being cool. I will demonstrate with an example of what I see as the problem. I'll use visuals.



When I joined facebook (back in practically antediluvian times, when you had to have a .edu email address to do so, and things like farmville were only an irritating glimmer in some Zinga founder's eye), pretty much all you could do for entertainment was join groups that then did very little except for show up on your profile page. In a fit of self-description, I joined the group "I was a dorky kid." This was all well and good; it was true, and I was in no way ashamed of the fact. There was only one problem. This was the picture for the group:        

Now, I think it is a huge mistake to imagine that just because somebody is fully involved with the life of the mind, they can't be bothered to deal with the physical world don't know how to dress themselves. Put another way: Geeks can totally be stylesters.
With this in mind, I would like to present and example: Colin Temple of the British TV show "Primeval." Colin is totally dorky. He is a graduate student in computer science; he studies dinosaurs; he is so brilliant it makes it almost impossible for him to have a rational conversation; when you first meet him, he is writing a research paper about aliens...and yes, he is a little socially awkward. 
He is also, however, a totally snappy dresser. Colin definitely undergoes a transformation over the course of the show, becoming more grown-up, responsible, honest--in short, more of a man. However, he doesn't undergo this evolution at the cost of losing his own identity, and one of the things he keeps is his sense of style, which is personal, idiosyncratic, and very cool. It involves fedora hats, digital watches, striped vests, and fingerless gloves. Sometimes it threatens to slide over into hipster territory, but it never quite goes there. (Thank God.) Colin never stops looking like a geek, but also never stops looking original, and--in his own way--very stylish. It's awesome.
So it would conclude this post with a repetition of my rejection of the idea that dorky is code for sloppy and poorly put together.  Proud geeks of the world--and I know you're our there--reject tevas with socks; reject faded trenchcoats; reject black tee-shirts with anti-social messages. Embrace geek chic. I know you can do it.


Sunday, May 22, 2011

Fantasy Faction Update

Hello blog-reading friends! (If you are still out there, that is...)  I wanted to let you know that although I have let this blog languish yet again, I have not ceased writing all together, and although many of my prose efforts are at the moment disappearing into the maelstrom known as cover-letter and resume-writing madness, I am still producing the occasional review or article for www.fantasy-faction-com.  Here, in fact, is a link to my latest review, China Mieville's tentacled creature from the deep, Kraken: an Anatomy:

"'Octopus! with lots of wriggly tentacles!' Cried the babies." (Kudos to whoever can name that quote source!!)

 http://fantasy-faction.com/2011/kraken-an-anatomy-by-china-mieville

I also have published some other reviews recently on Fantasy Faction.  I'm particularly proud of this one:

http://fantasy-faction.com/2011/the-historian-by-elizabeth-kostova

Oddly enough, I lot of what I have been reading and reviewing lately has to do with suckers of different sorts.  I'm not quite sure what this says about me as an individual...

Sunday, March 20, 2011

For the love of God, Montressor...

[Note: I realize that in my last post, over a month ago (!) I promised updates from my vacation in the south, but none of us can escape the fickle humours of the Fate, and in this case she chose to cut the thread of my computer's existence at a most inconvenient moment.  I have been, as a result, technologically impaired for the past few weeks, which has interfered with the posting.  Nevertheless, here I am again]

I am in Paris for the weekend, mostly to do interviews for my article on SF/F in France for Locus (http://www.locusmag.com/), although I am also taking the time to do some tourist-ing while I'm here.  I have to say, though, I could have orchestrated the schedule of my activities a little better!  Today was a logistical nightmare--I ended up crossing the Seine six times, and trekking for what feels like miles.  My feet will feel it tonight.

Part of the reason I ended up walking so much is because I covered two km alone underground.  This was not just the result of having to change trains in large metro stations (although sometimes they feel as if there are kilometers of tunnels to get though), but because I finally was able to get to a tourist attraction that I have had on my list since the first time I was in Paris, namely, the city catacombs.

 I am not sure if I can claim that my interest in the catacombs was a historical one, or if it was the less high-brow product of reading too many books about vampires in the last year.  It's true that it's a fairly morbid thing to want to see.  I had not realized how creepy it would be until I actually got down into the ossiary itself.

The catacombs were once the site of the Parisian quarries (so, apparently, you can go to the city and find employment in a quarry, like the boy in the temperance song), but when mining was outlawed in the city, the excavations were mostly filled in, and the remaining tunnels were designated as the depository for the bones from various city graveyards, which had been causing poor health conditions in more populous parts of the city.  To remedy this problem, they dug up all the bodies from their first resting places, threw the bones higgldy-piggldy in carts, and rolled them across town, draped in black cloth, to the site of the old quarry.  This began in the early 1780s, and I have to say that the idea of carts full of skeletons being trundled across Paris at that time is a potent auger of the slaughter that was going to come with the Revolution and the Terror.  On the other hand, it might not have stood out so much.  Death was never as hidden from view then as it is now, especially in the States.

Now, the catacombs are a standard tourist destination, and you have to queue for at least half an hour as they let people descend the long, spiraling staircase a few at a time, to wander along a set path through low-ceilinged tunnels (it's definitely not for the claustrophobic), and across the chambers of stacked bones, ornamented with various carved quotations expressing morbid Victorian-ish sentiments about the fate that awaits us all.  It's easy to imagine tourists of the the late 19th century tracing the same path, beneath the dripping walls, shivering and indulging their taste for the macabre.  Less easy to imagine, although the shadow of their past existence is more troubling, are the lives of the people whose anonymous bones line the walls.  There is no way to tell who is who, although in the course of the catacombs' completion, cemetaries were emptied that contained artists and poets, saints, and terrorists and victims of the revolution.  The man in the iron mask is even supposed to be there, somewhere.

Cre-e-e-e-epy

Sunday, February 27, 2011

Much Belated First Post from an Adventurous Winter Vacation

I meant for this post to go up yesterday but, in what has been the latest in a series of technological crises, my computer became indisposed and is now languishing in an inert state until I am able to get it to a repair shop.  This was doubly inconvenient, not only because it happened on a Saturday afternoon, just in time for the shops to be shut for 36 hours, but because I am now in Spain, where I am not only abroad, but I do not even speak the language.  I am now reduced to internet café usage, at least for the next day or two, and since I only have 10 minutes remaining of my paid time slot, this post will not even be able to begin to cover my travels over the last week.

One of the nice things about working for the government of a socialized state (and there are benefits, a fact I sometimes forget when I am dealing with all the bureaucracy), is that I get a serious amount of vacation time.  I am currently in the middle of my two week winter vacation (not to be confused with spring or Christmas vacations).  I have been using my time to go south, where it is warmer and there are at least hints that spring is coming.  My traveling companion and I have been making a tour of south-western French towns--a day in Montpellier, a day in Nîmes, a day in Carcassone, a day in Perpignan.  Each one has been more Mediterranean-feeling than the last, and I am starting to believe all of the 19th-century travelogue clichés about the heart opening up in the south where there is more warmth and sunlight.

Most of our sightseeing has focused on ruins and historic buildings--the Roman arena in Nîmes and the fairy-tale medieval citadel of Carcassone.  I was in the middle of organizing my (or rather Miriam´s) photos for display when my computer failed me yesterday, so a visible component of my report will have to wait for a later posting.

Friday, February 18, 2011

The Internet Ate My Homework

...I'm not quite sure what happened this year, but I seem to have fallen under the sway of the movement that has been taking my generation by storm for the past ten years, namely, wasting time on the internet (dun dun DUN).  Actually, I probably do know what happened:  I graduated from college and stopped having to spend every waking minute on school-related activities.  Then I moved to a small town, got job that is only part-time, and discovered tv tropes wiki (click if you dare; you risk losing untold hours of your life).  Of course, I had about this much free time when I was dancing, especially the first year...but I didn't have an internet connection then, or even a computer--something which boggles my mind now, when I think about it.

I am doing my best to keep the procrastination monster bound and gagged, or at least held on a very short leash.  But it's a slippery slope.  I think, "Oh, I'll just go over to tor.com for a minute or two," and before I know it I end up clicking on some link, and ending up at some completely random (and yet fascinating) destination.  It does lead to some pretty rad discoveries (see below), but my sense of myself as a serious person with a long attention span and (any) ability to focus is somewhat shaken.

This is pretty accurate compared to my perspective...
...This one less so, but they're both pretty rad.
I have been able to crawl my way up out of the abyss frequently enough that I am still keeping up with the things I need (or, in the case of this blog, want) to do with my time, but you know what they say, "The first step is admitting you have a problem..."

Friday, February 11, 2011

Publication!

I have become a contributing writer to Fantasy Faction, and online forum for fantasy reviews, commentary, and fan talk.  Check out my first article, a tribute to the late Brian Jacques: http://fantasy-faction.com/2011/brian-jacques-an-appreciation

Wednesday, February 9, 2011

New Story: Ice and Fog

It's been a while since I posted a story here, but I wrote this one recently, and since it's pretty short, I thought I would put the whole thing up in one posting.  It's also my best stab at a description of Cosne sur Loire (with certain liberties taken, of course).  I also seem to be sliding a little farther into the fantasy writers camp, although for that I blame George R.R. Martin, whose 4th volume of his as-yet-unfinished epic hack-and-slash fantasy I plowed through this past week.  The man writes great characters, and plots that make you want to beat him up for not publishing the sequel already, but bodily fluids make too frequent appearances in his pages for my taste.

Without further ado, however, here is my latest creation.  I promise there will be no bodily fluids.

*******


After the dawn came, it took a long time for any signs of life to reappear.
            The streets of the town stayed dark and silent as the sky lightened slowly, obscurity yielding only partially to the coming of day.  The handful of brick houses and narrow streets clustered together on the river’s bank stayed shrouded in cottony fog so thick that the opposite bank and even the water’s still surface were utterly invisible.  The span of a narrow bridge disappeared into the gray.
            Cold clutched the town in its grip as well, hardly eased at all by the layers of moisture in the air.  The brume itself seem to have frozen in the night, since the surfaces it brushed—tree branches, iron rails, the strands of wire holding up dilapidated fences—were all covered with a fur of tiny icicles.  Each one was as pointed and sharply defined as a shard of glass, yet ephemeral enough that a single gust of wind would have melted it away—had there been any movement in the air.
            This deep in winter the day always came slowly and, under the enveloping in mist, it seemed as if full light would never truly come.  The hands of the worn clock face in the church tower (its numbers nearly rubbed away and its bells silent) pointed to seven-thirty, eight, and then half past, while a grey twilight lingered on.  In the shadow of the church, the square stayed empty, the few cafés and bar-brasseries that opened onto it still closed and dark.
            Finally, at nearly nine, scattered movements began.  Window curtains that had been pulled against the dark twitched aside slightly here and there, revealing a pinched face or two squinting out at the day.  A dark shadow, bundled against the bite of the cold, appeared and crossed the square, fumbling a key into the lock of one of the businesses.  Soon, other doors began to open, although many remained tightly barred, their windows shuttered and plastered over with signs that said, “Final Sale,” “Total liquidation,” or “For Rent.”

            Renaud was sure that he had not slept—as he was sure every morning.  The nights passed under a strain that kept his eyes open, as tension gripped his body through the in slow hours after dusk had fallen.  Yet somehow, without his noticing, the long night had resolved itself into a dim morning, so he must have dozed at some point.  He could see faint light coming through the cracks in the shutters from where he lay curled on his side.  He wondered if this was the day he would not get up at all.
            Then he felt Poinette, her nose cold and quivering (to match what he knew must be the palpitating of her entire little body), push against his hand where is hung slightly off the edge of the bed.  He sighed and pushed himself upright, rolling sideways and feeling for the icy floor with his gnarled feet.
            “Eh, ma petite?” He asked her, “Tu as bien dormi? You slept well?”
            Poinette whined a little, turned herself in a circle, ran to the door of the room, then came back and looked up at him again.  Her message was clear: even little old dogs needed to eat.
            Renaud sighed again.  Ca y est.  You are right, my dear.  Let’s see what we can do.”
            Breakfast for Poinette was not a problem, and Renaud even had the heel of the weekend’s batârd to munch on for himself.  He made coffee, and settled himself by the window to drink it, looking out at the street.  The walls of the houses across the narrow lane were blank faces, grey and closed to match the sky.  Every so often a truck would rattle past, or a shiny and compact sedan: the worker on delivery and the tourist passing through town on his or her way to other, more popular destinations in the vineyard-filled valley beyond the river.  At one point, Renaud even saw one of his neighbors come out of a gate between two houses and hurry off down the street, a shopping bag hanging from her arm.  That would be Sylvie Thenard, going to catch the butcher during the three hours he was open weekday mornings.  Renaud started and almost spilled his coffee.  He had meant to go today himself.  His icebox was almost completely empty, and he had wanted to get some little veal cutlets to fry up for Poinette.  It was a foolish indulgence for a dog, he knew, but she was delicate, and she so enjoyed them, wiggling her backside and pressing up against his ankles as he cooked.  She reminded him of what it was like to be active and excited. 
He glanced at the clock—almost noon.  There was no way to make it in time today.  He would have to wait until tomorrow.  He sighed, wishing that the grocers and storekeepers had enough business to keep open longer hours.  It was hard to remember which times you could actually find something for sale in the town center.
It had not always been like this.  He could remember a time when the town had not been merely the shell of a settlement, inhabited by more than those few to young to seek their futures or too old to escape their pasts.  Once, this had been a place to go to, rather than simply one to be from.
With the sky masked and the sun’s light diffused by the heavy cloud cover, it was hard to tell from the view outdoors that the afternoon hours were slipping away, but eventually even his system, old and slow as it was, began to remind him that it was past dinner time.  Poinette scratched at the door to the garden; he could hear her from the other room.  Perhaps it would be good to get out for a bit.  He bestirred himself to find her leash and his woolen coat.
Once outside, the cold bit into him; squeezing the breath from his lungs as if he was wearing no coat at all.  He wished (yet again) that he had taken the trouble have the tailor’s shop reline the old thing last summer.  Now it was too late, of course.  The shop was out of business, and the next nearest was two towns away.  He would have to wait until his Marina came and ask her to drive him there; a humbling thing for a man to have to demand of his daughter.  He was not even sure when he might next have the opportunity.  She had been vague and reluctant about her plans for a visit when last they spoke on the phone.  “I’ll come in the spring,” she had promised.
“Sping, humph,” he muttered.  “When will that be?”
He pulled his cap down over his ears; gripped Poinette’s lead in one blue hand, and trudged off.
Matilde, the stoic woman who ran the Bar au Centre, welcomed him in (if welcome it could be called), with a brief nod, and brought him a plate of frites and a croquet saucisson before settling herself again in the back booth of the otherwise empty restaurant to finish her accounts.  The radio made a low, static-filled hum that almost took the place of ambient noise and conversation.  Poinette curled at his feet and he ate slowly, trying to savor the tastes of the food.  It seemed bland and mealy to his tongue, though, as if the fog in the air had suffused his very senses.  At least it was warm; although the moments it took to slide down his gullet seemed to provide only a brief respite from the cold.
Afterwards, he walked Poinette to the far edge of the village, giving her a chance to stretch her legs, and—he hoped—tiring himself out enough to that he might fall quickly asleep that night.  The came back along the edge of the river, walking towards the faint shadow that was the bridge swirled around by fog.  Beyond the bridge, where the central buildings and the grey hulk of the church grew up along the water, there was a flat, wasted space between the mortared walls and the stone-lined bank.  It was a long strip of ground, beaten down as if a great weight had rested there, and burnt black as if blasted by fire.
Renaud did not look at it, and he turned his steps back into the town well before they reached the scorched earth, while Poinette whined and strained at the leash, hurrying to put as much space between herself and the stretch of bank as possible.
By the time they got back home, the day was already beginning to fade away.  Renaud hung his coat up again in the hall, where it draped in lonely isolation among the other empty hooks, and hurried to turn up the heat, trying not to shiver.  The electricity bill would be fiercer than ever this month, but he would rather pay out than see hid breath hang before his mouth in his own kitchen.  What else had he got to spend his money on, anyway?  It would hurt Poinette’s bones if she lay on the cold tiles of the floor, so he pulled her rug over close to the metal radiator in the kitchen, which clanked disconsolately as steam forced its way through the pipes.
Shadows began to settle down over his rooms, darkening in corners and blocking out the views from the windows.  Renaud lit lamps in the kitchen and dining room, trying to hold them off.  He wished the silence wasn’t so heavy.  His radio was even older than Matilde’s at the bar, and it did little more than hiss and crackle when he fumbled with its dial, as if the fog was occluding the electronic waves, as well as the air outside.  Frustrated, he turned it off.  He pushed a chair over so that he could sit with his feet beside’s Poinette’s bed, to leech what little warmth he could from the presence of the radiator.  He had a book, an old roman policier that he had enjoyed as a young man, and had come back to several times over the years.  He had always enjoyed the insouciant air of the protagonist, his easy wit and ability to match the various parts of the crime together like a clever child assembling the pieces of a puzzle.  Now, though, he had a hard time reconnecting with that remembered pleasure.  The problems of the story seemed unreal, and the responses of the hero feckless and jejune.  There was nothing in this fictional world that echoed the malaise he sensed in his own life.  Beside, the words on the page blurred fuzzily beneath his old eyes and seemed to disappear in the crepuscular light.  After a while he gave it up, closing the book and dropping it on the floor beside him with a dissatisfied sigh.
As he sat in his island of lamplight, hands folded in his lap, Poinette heaved herself up off her bed, staggering slightly, and came to press herself against his ankles and look up at his face.  Renaud smiled at her, and leaned creakily down so she could lick his fingers and push her nose under his hand.  After a minute he scooped her up and set her on his bony knees, where, after only a few wobbly scrambles, she settled into a small curl like a crescent roll.  She heaved a shaking little breath, and Renaud sighed with her.  Together, they waited as night fell.

After dark, the village was completely silent once again.  Fog muffled even the sound of water moving against the banks.  Cold froze the water weeds at the river’s edge and the mucky puddles in the gutters became duller with rime. 
A shadow among shadows, the dragon coasted down through the mists and settled on the riverbank.
Nobody saw him, but then there were few to look, and they were old and tired, their windows barred against chills and malaise.  The gusts of air from his passing could have been the wind of the river, swirling the clouds but refusing to lift them.  The sound of his landing was silenced by the fog.
He stretched out, fitting his massive length into the long trough of earth.  His claws, jet black and curved, vicious as any raptor’s, flexed once or twice, scoring deep ruts in the dirt and sending a few pebbles skittering down into the water.  His scales were the dirty grey of old ice but their edges were so sharp they would have gleamed, had any light reached them.  He was cold; colder than the night or the freezing water of the river, so cold that he burned the river weeds and bushes he brushed against to curling black skeletons and sent ice spreading its way across the river’s surface when his tail tip dropped into the shallows.  His breath hissed and misted, thickening the obscurity around him.  He laid his massive head down facing the motionless town, and his eyes steeled shut for sleep.
The seconds of the long night ticked on.

Wednesday, February 2, 2011

Fiction Addicted (plus a viral meta-satire idea)

This posting is mostly another shout-out, with the theft--ahem--borrowing of a really great idea tacked on the end.

First, I wanted to praise one of the Tor.com bloggers, David Whitley, for a really great post about the role of empathy in fiction, and specifically the way that we are drawn to fantasy because it walks the line between evoking the emotions and experiences we recognize from real life and giving shape to the powerful visions of our imagination.  It distilled really well a lot of my more incoherent feelings on the subject, and reaffirmed for me some of the reasons I read specfic.

Also, buried in the middle of it, was this fabulous flight of fantasy, which I liked to much I will quote at length:

"[Jonathan] Swift [is] creating a whole off-kilter world in order to make his case. He was a far subtler writer than he first appears, and deserves better than becoming the base material for Jack Black vehicles. (Seriously, how did giant mecha find their way into Gulliver’s Travels? I think that might be enough for Swift to come tearing out of his grave, frothing with pure bile. Now, zombie 18th century satirists attacking film producers... that is the plot of a movie!)"

This is brilliant, and somebody should take the idea and run with it.  I never really "got" the whole recent zombie craze--the have always seemed more than a little gross, and limited in their narrative and dramatic potential.  They really just stagger around and try to eat people.  Dialog is at a minimum (bold repartee is really not their thing).  With a very few exceptions, it doesn't seem to have inspired any terribly original stories.  There are not very many places you can go with a zombie narrative, besides a blockaded basement or a ravaged cityscape.

Another thing I have little patience with is the continual attempt to "update" and "reboot" the classics, particularly in movies.  I have my favorite movie adaptations, but classics are classics for a reason, and I have a fan's snobbish loyalty to original book versions.  I think that there is a saturation point beyond which one more adaptation or parody is just going to make the original seem over-exposed and deformed beyond all recognition (DON'T EVEN GET ME STARTED ABOUT JANE AUSTEN....)

However, as soon as I read Whitley's riff, I started thinking....I have seen enough use and misuse of classic plots to make the expression "the author must be turning in his grave" lose all meaning.  What if all these authors get tired of turning in their graves, and start to leave them to take revenge on a world that has bastardized their legacies.  This could give a whole new meaning to Pride and Prejudice and Zombies.  I am imagining a story in which the media establishment is overrun by the staggering, vengeful, undead figures of Austen, Dickens, F. Scott Fitzgerald, Victor Hugo, Jonathan Swift, Hugh Lofting (don't think I have forgotten about you, Eddie Murphy--your adaptation of Dr. Doolittle was a sacrilege of my childhood memory), and others, intent on punishing those who have taken their words in vain.

I think this story would be great in comic-book form.  Now all I need is an artist who is inspired to help me make it happen.  Any takers?

Of course, the last, loaded question: in this scenario, should Peter Jackson be running for his life or not?

Monday, January 31, 2011

Listening to "Terrible Ones"

I want to take the opportunity to give an appreciative shout out (disguised as a critical response) to Tim Pratt's short story "The Terrible Ones," which I just listened to via Podcastle, a fantasy fiction podcast website (check it out).  As with many new platforms for receiving entertainment, I am running just behind the podcast bandwagon, having failed to jump on it and trying to to inhale any dust.  This was actually my first short story download (moment of embarrassment here).  I can, however, fully recommend the experience with the enthusiasm of the newly-converted.  Partly, I had the advantage of having an introduction to the medium via a story that was awesome.

"The Terrible Ones," is a fantasy story that brings elements of Greek mythology--specifically those preserved in the fragments of Greek drama that are left to us--into a modern-day setting.  It takes the ancient ideas of betrayal and retribution, divine intervention and punishment, and transposes them, creating a story that is original and entertaining--satisfying in its use of mythic tropes, yet fresh and surprising in its outcome.

Speaking as someone who is rather painfully familiar with many of the story's elements, both its prosaic (I lived several years in the day-to-day world of the performance artist, which is the setting for much of the narrative action) and its mythic ones (some children are raised by wolves, others by tiger mothers, me, I was raised by Classicists and had experiences like being read the Homeric Hymn to Demeter at age six)--I can say that Pratt really knows his stuff, and gets the details right.  Add to that a fresh narrative voice and a well-plotted story line, and you have a great listening experience.  If the other stories on Podcastle are up to this level, I am definitely going to keep downloading.

Full Disclosure: Tim Pratt is also a personal acquaintance and former coworker, so I'm not a totally impartial critic.  That doesn't mean I'm wrong, though.

Monday, January 24, 2011

Geeking out (just a bit)

Woah, posting twice in one day...actually, this isn't so much a proper post as an anecdote to my--possibly overly erudite--posting this morning and also a proof that I am wasting too much time online.

That said, this is totally and completely awesome!! XKCD strikes again...

Oh, Marianne

I just finished reading Citizens, by Simon Schama, subtitled a chronicle of the French Revolution.  What a story!  After getting through it, I can’t believe I got as much out of all my undergraduate modern history courses as I did without having studied the French Rev in more than a passing and tangential way.  So many of the topics I was engrossed by—the rise of anti-colonial nationalism, the Russian revolution and what came after, the totalitarian states of the twentieth century…. I could recognize the roots of so much of that in what I was reading about the events of 1789-94.

This is not to say that I am giving up my previously-held conviction (a belief instilled in my and my classmates by the ghost of Edward Said, who I am fully convinced still paces the halls at Columbia, leaking ectoplasm and causing the lights to flicker when people mention the canon) that it is fundamentally wrong to see modern history as based on a central narrative driven by a progression of key events in Western history…perish the thought!  But, (and, as my 7th grade teacher would say, “this is a big but—”) there were so many things—the rapid transformation from revolutionary chaos to police state; the attempt to completely remake society on the basis of a new set of ideals; the desire to claim for as the revolution’s heritage an “authentic” idea of the national past; the movement towards a systematized, “scientific” method of eliminating the people deemed dangerous to the new order as quickly as possible—in which I saw amazingly-prescient echoes of so much that I had studied from the last two hundred years.

It also helped that Schama is a very engaging writer.  He was clearly writing the book to appeal to a wider audience than just his peers of the academy.  For one thing, he translated all quotes—a sure sign that this is not a book meant only for grad students to be able to regurgitate during exams.  Although part of me was sorry not to be able to get more of a taste of the historical figures whose words he made use of (since I think some of them would be quite entertaining to read in their own right), I really enjoyed Schama’s relaxed writing style, which walked the line between conversational and informational.  His confessed aim was to make the book a “narrative” of events, and I definitely had to stifles feelings of, “Wait! The story can’t be over yet—” when he tied off his account with the fall of Robespierre and the end of the Terror. He really made the characters of the time come alive.

Of course, it helped his case that there were some truly larger-than-life characters adding their influence to those events.  Not just Robespierre, who Schama painted as an almost evangelical figure, wanting to cleanse French society using the dual principles of terror and virtue, but the rake-Bishop Tallyrand, the self-aggrandizingly heroic Lafayette, the fatally waffling Louis XVI, the ice princess Charlotte Corday, the fatally world-weary Malesherbes.  I think my favorite was actually Danton.  Not that he was really any less of a violent rabble-rouser than any other member of the revolutionary government in its various iterations, but you have got to respect someone whose final words on the steps of the guillotine were, “be sure to show my head to the crowd afterwards.  It is well worth the effort.” The man had cajones.

Thursday, January 20, 2011

I'm Bringing Quirky Back

Surgeon Generals Warning: what follows is a rant.  Bear with me.

When she walks, she swings her arms, 
instead of her hips
When she talks, she moves her mouth, 
instead of her lips

My latest lesson plan for my students (English conversation reinforcement at a French lycée), revolved around introducing them to some examples of American teenage culture that might not have made it to Cosne sur Loire yet.  I found an article purporting to "explain" hipsters, and printed it off for them, hoping that hilarity would ensue.  Mostly what ensued was confusion, since the appeal of vintage shopping is not one that translates well--at least not in this provincial town.  After several attempts at giving the lesson (I'm fortunate that I have many students at the same level, because my classes definitely take multiple reps to iron out all the problems), I was able to successfully segue the discussion from comprehending the article to talking about fashion and conformity more generally (this is not the rant, by the way; I was actually pretty happy with this discussion).

The rant is this:  Who am I to be leading teenagers in discussions of pressures to conform?  I am, as anybody who knows me can tell you, not the most confident of people at navigating the messy landscape known as adult social interaction, particular when it happens between genders.  I am just as liable as anyone to try to conform to what's hot/cool/smart/funny/normal when I am in a social situation.

This is a strategy that is clearly not working out too well for me.

However, it has recently struck me that there are plenty of messages--coming right out of popular music, no less--there for girls who do not fit in, girls who are, plainly, just a little weird.   Whether it's Cake singing about the girl with a mind like a diamond, or even (please bear with me), Rob Thomas singing about the girl who can only sleep when it's raining, fitting in does not seem to be what's desired here.

So, I think its time to embrace quirkiness.  Stop worrying about being the cool one, the one with her act together, and start acting more like the girl who wears high heels when she exercises, or the one who looks so sad when she smiles.

I'll let you know how it goes.


Saturday, January 8, 2011

Back in Europe, but not yet in France

...and, I'm back!  Despite the gap in my blogging, I did not disappear into the howling void of delayed airline transit for my entire vacation, although I was definitely afraid at certain points that that was going to happen.  I was supposed to get back to California on the 19th of December, and I did not actually make it home until the morning of the 25th, after numerous delays, bad weather, striking airport workers, missed connections, expensive emergency hotel stays, and more hours waiting in Charles de Gaulle airport than I like to think about.  It was enough to shake my belief in the efficacy of air travel as a modern means of transportation, and it made me want to celebrate Christmas in June so I wouldn't have to travel at the same time as everybody else in the western world.  Nevertheless, when I finally got home, I had a lovely time--far too short, as it seemed to me when I left two days ago.

The journey back to the old world was not nearly as traumatic as one home, although it had its drawbacks (the worst airplane food I have ever eaten, and a seat neighbor who spoke almost no English, drank 10 whiskeys over the course of a 9-hour flight, and passed out on me so that I had to go and get a stewardess to yell at him in Polish...)  Once I arrived, though, things started looking up.  I had made plans to visit an Austrian college friend for the last weekend of here winter break, and so I flew in to Vienna, where we are spending three days together before I go back to France and work and she goes back to her home town of Graz.

I was more or less drunk from sleep deprivation when I arrived yesterday (its hard to sleep when you have to keep pushing an inter Pole off your shoulder), but I had an amazing 12 hours of sleep at our hotel last night, and started the morning off feeling like the proverbial daisy.  Vienna really is a great city to be a tourist.  I had not thought much about what it would be like there, besides the fact that it would be great to see Katrin, so I hadn't spent a lot of time looking forward to doing anything particular.  It turns out, that there is a lot to look forward to. 

We started off the day by going to watch a morning training session at the Spanish Riding School.  This is the traditional home of the Lipizzaner Stallions, whom I had read a book about and loved as a child, but had almost forgotten that they were even an attraction in Vienna.  It was only last night, when we came into the central square of the Hofburg (the giant complex of imperial palaces and houses of state that is at the center of the city), when I saw the statue of the Emperor sitting on his horse and remembered vividly the scene in Marguerite Henry's book White Stallion of Vienna when the boy Hans climbs up to sit behind him in the middle of the night and resolves to become a riding master at the Spanische Hofreitschule, that I felt the thrill of recognition and excitement you get when you see something you loved as a child reappear in your life.  Fortunately, although there were no performances this weekend (and they probably would have been too expensive for me if they were), we were able to visit the horses exercise period, which is open to the public.  The training is done to music, and it takes place in the same gallery where they perform, and where they were once watched by the emperor (indeed, the school is also at the Hofburg).  It felt like part of a tradition from another era.  It was also beautiful--the cues the riders give their horses are almost invisible, and the horses go from pace to pace like dancers.  It was like watching ballet for me, with none of the bitterness of remembered experience.  The only thing that would have improved it would have been if they did any of the airs above the ground (which I was secretly hoping to see), but I suppose I will have to come back and see a show for that.

After the riding school, we went to the other side of the same building, to see the museum of the imperial silver collection, the imperial apartments, and the museum commemorating the Empress Elizabeth, who was the wife of the Emperor Franz Joseph and, apparently, both a great beauty and a real piece of work.  The entire experience was one of overwhelming luxury--great to see, but one is glad that the state is no longer paying to showcase its power and glory in the bodies and lifestyles of a privileged royal family.  Some of their excesses were slightly mind-blowing: a 140-person gold-plated state dinner set, for example, or the fact that Sisi used to wash her ankle-length hair in a mixture of egg yolk and cognac... You understand why people became communists.

After all that, we were in need of sustenance.  Fortunately, Vienna is a city where they do right by coffee breaks.  We ended up at the cafe of the Hotel Sacher, where I tried the "Original Sacher Torte," a cake that was invented in 1832, whose success predates the hotel, and whose recipe is a closely guarded secret.  The original is kept in a safe under lock and key, according to the informative menu.  Having tried it, I can see how it has stayed popular for 180 years.